Close to Old Gold
#DBC337
#DBC337 is a mid-tone, rich yellow, close to the color Old Gold. In RGB it’s made of 85.9% red, 76.5% green, and 21.6% blue. Its hue is 51°, with 69% saturation and 54% lightness, so it reads as a warm color. Black text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #DBC337.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette builder →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette builder →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
1.77:1 FailBlack text on this color
11.87:1 AAAThis color as text on white
1.77:1 FailThis color as text on black
11.87:1 AAAHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #DBC337 as they’d see it.
#DBC337 in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
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Brands with a similar color
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Questions about #DBC337
What color is #DBC337?
#DBC337 is a mid-tone, rich yellow, close to the color Old Gold. In RGB it’s made of 85.9% red, 76.5% green, and 21.6% blue. Its hue is 51°, with 69% saturation and 54% lightness, so it reads as a warm color. Black text sits best on top of it.
What is #DBC337 in RGB?
#DBC337 is rgb(219, 195, 55): 219 red, 195 green, and 55 blue on a 0–255 scale.
What is #DBC337 in CMYK?
Roughly cmyk(0, 11, 75, 14). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #DBC337?
PANTONE 129 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #DBC337?
Its complement #C4BBFD gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.