Close to Old Rose
#BF877A
#BF877A is a mid-tone, muted red, close to the color Old Rose. In RGB it’s made of 74.9% red, 52.9% green, and 47.8% blue. Its hue is 11°, with 35% saturation and 61% lightness, so it reads as a warm color. Black text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #BF877A.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette builder →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette builder →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
3.02:1 AA LargeBlack text on this color
6.96:1 AAThis color as text on white
3.02:1 AA LargeThis color as text on black
6.96:1 AAHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #BF877A as they’d see it.
#BF877A in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
Get startedSimilar colors
Questions about #BF877A
What color is #BF877A?
#BF877A is a mid-tone, muted red, close to the color Old Rose. In RGB it’s made of 74.9% red, 52.9% green, and 47.8% blue. Its hue is 11°, with 35% saturation and 61% lightness, so it reads as a warm color. Black text sits best on top of it.
What is #BF877A in RGB?
#BF877A is rgb(191, 135, 122): 191 red, 135 green, and 122 blue on a 0–255 scale.
What is #BF877A in CMYK?
Roughly cmyk(0, 29, 36, 25). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #BF877A?
PANTONE 479 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #BF877A?
Its complement #519FB0 gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.