Close to Pomegranate
#AA321C
#AA321C is a mid-tone, rich red, close to the color Pomegranate. In RGB it’s made of 66.7% red, 19.6% green, and 11% blue. Its hue is 9°, with 72% saturation and 39% lightness, so it reads as a warm color. White text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #AA321C.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette builder →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette builder →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
6.60:1 AABlack text on this color
3.18:1 AA LargeThis color as text on white
6.60:1 AAThis color as text on black
3.18:1 AA LargeHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #AA321C as they’d see it.
#AA321C in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
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Brands with a similar color
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Questions about #AA321C
What color is #AA321C?
#AA321C is a mid-tone, rich red, close to the color Pomegranate. In RGB it’s made of 66.7% red, 19.6% green, and 11% blue. Its hue is 9°, with 72% saturation and 39% lightness, so it reads as a warm color. White text sits best on top of it.
What is #AA321C in RGB?
#AA321C is rgb(170, 50, 28): 170 red, 50 green, and 28 blue on a 0–255 scale.
What is #AA321C in CMYK?
Roughly cmyk(0, 71, 84, 33). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #AA321C?
PANTONE 1675 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #AA321C?
Its complement #006677 gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.