Close to Peacock

#60AED2

#60AED2 is a mid-tone, rich blue, close to the color Peacock. In RGB it’s made of 37.6% red, 68.2% green, and 82.4% blue. Its hue is 199°, with 56% saturation and 60% lightness, so it reads as a cool color. Black text sits best on top of it.

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Tints, shades & tones

Tints add white, shades add black, tones add gray. Tap any one to open its page.

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Color harmonies

Combinations from the color wheel, built around #60AED2.

Contrast & readability

WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.

Aa

White text on this color

2.48:1 Fail
Aa

Black text on this color

8.48:1 AAA
Aa

This color as text on white

2.48:1 Fail
Aa

This color as text on black

8.48:1 AAA

How it looks with color blindness

About 1 in 12 men and 1 in 200 women see color differently. Here’s #60AED2 as they’d see it.

Typical vision#60AED2
ProtanopiaNo red cones (about 1% of men)
DeuteranopiaNo green cones (the most common, about 1% of men)
TritanopiaNo blue cones (rare)
AchromatopsiaNo color vision (very rare)

#60AED2 in use

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A headline in this color

Body text stays dark for reading; the color carries buttons, links, and accents.

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Questions about #60AED2

What color is #60AED2?

#60AED2 is a mid-tone, rich blue, close to the color Peacock. In RGB it’s made of 37.6% red, 68.2% green, and 82.4% blue. Its hue is 199°, with 56% saturation and 60% lightness, so it reads as a cool color. Black text sits best on top of it.

What is #60AED2 in RGB?

#60AED2 is rgb(96, 174, 210): 96 red, 174 green, and 210 blue on a 0–255 scale.

What is #60AED2 in CMYK?

Roughly cmyk(54, 17, 0, 18). Print results depend on paper and press, so proof it before a big print run.

What Pantone is closest to #60AED2?

PANTONE 298 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.

What color goes with #60AED2?

Its complement #D2977D gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.

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