Close to Aquamarine
#28FACE
#28FACE is a mid-tone, vivid teal, close to the color Aquamarine. In RGB it’s made of 15.7% red, 98% green, and 80.8% blue. Its hue is 167°, with 95% saturation and 57% lightness, so it reads as a cool color. Black text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #28FACE.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette builder →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette builder →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
1.34:1 FailBlack text on this color
15.66:1 AAAThis color as text on white
1.34:1 FailThis color as text on black
15.66:1 AAAHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #28FACE as they’d see it.
#28FACE in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
Get startedSimilar colors
Questions about #28FACE
What color is #28FACE?
#28FACE is a mid-tone, vivid teal, close to the color Aquamarine. In RGB it’s made of 15.7% red, 98% green, and 80.8% blue. Its hue is 167°, with 95% saturation and 57% lightness, so it reads as a cool color. Black text sits best on top of it.
What is #28FACE in RGB?
#28FACE is rgb(40, 250, 206): 40 red, 250 green, and 206 blue on a 0–255 scale.
What is #28FACE in CMYK?
Roughly cmyk(84, 0, 18, 2). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #28FACE?
PANTONE 333 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #28FACE?
Its complement #FED5D4 gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.