Close to Midnight
#161A2A
#161A2A is a very dark, muted blue, close to the color Midnight. In RGB it’s made of 8.6% red, 10.2% green, and 16.5% blue. Its hue is 228°, with 31% saturation and 13% lightness, so it reads as a cool color. White text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #161A2A.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette builder →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette builder →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
17.28:1 AAABlack text on this color
1.22:1 FailThis color as text on white
17.28:1 AAAThis color as text on black
1.22:1 FailHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #161A2A as they’d see it.
#161A2A in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
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Brands with a similar color
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Questions about #161A2A
What color is #161A2A?
#161A2A is a very dark, muted blue, close to the color Midnight. In RGB it’s made of 8.6% red, 10.2% green, and 16.5% blue. Its hue is 228°, with 31% saturation and 13% lightness, so it reads as a cool color. White text sits best on top of it.
What is #161A2A in RGB?
#161A2A is rgb(22, 26, 42): 22 red, 26 green, and 42 blue on a 0–255 scale.
What is #161A2A in CMYK?
Roughly cmyk(48, 38, 0, 84). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #161A2A?
PANTONE 7547 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #161A2A?
Its complement #1F1B06 gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.