Close to Shocking Pink
#FC50CC
#FC50CC is a light, vivid pink, close to the color Shocking Pink. In RGB it’s made of 98.8% red, 31.4% green, and 80% blue. Its hue is 317°, with 97% saturation and 65% lightness, so it reads as a cool color. Black text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #FC50CC.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette creator →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette creator →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
2.93:1 FailBlack text on this color
7.16:1 AAAThis color as text on white
2.93:1 FailThis color as text on black
7.16:1 AAAHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #FC50CC as they’d see it.
#FC50CC in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
Get startedSimilar colors
Questions about #FC50CC
What color is #FC50CC?
#FC50CC is a light, vivid pink, close to the color Shocking Pink. In RGB it’s made of 98.8% red, 31.4% green, and 80% blue. Its hue is 317°, with 97% saturation and 65% lightness, so it reads as a cool color. Black text sits best on top of it.
What is #FC50CC in RGB?
#FC50CC is rgb(252, 80, 204): 252 red, 80 green, and 204 blue on a 0–255 scale.
What is #FC50CC in CMYK?
Roughly cmyk(0, 68, 19, 1). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #FC50CC?
PANTONE 806 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #FC50CC?
Its complement #18AD4E gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.