Close to Magnolia
#F4F5FF
#F4F5FF is an almost-white neutral, close to the color Magnolia. In RGB it’s made of 95.7% red, 96.1% green, and 100% blue. Its hue is 235°, with 100% saturation and 98% lightness, so it reads as a cool color. Black text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #F4F5FF.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette creator →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette creator →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
1.09:1 FailBlack text on this color
19.35:1 AAAThis color as text on white
1.09:1 FailThis color as text on black
19.35:1 AAAHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #F4F5FF as they’d see it.
#F4F5FF in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
Get startedSimilar colors
Questions about #F4F5FF
What color is #F4F5FF?
#F4F5FF is an almost-white neutral, close to the color Magnolia. In RGB it’s made of 95.7% red, 96.1% green, and 100% blue. Its hue is 235°, with 100% saturation and 98% lightness, so it reads as a cool color. Black text sits best on top of it.
What is #F4F5FF in RGB?
#F4F5FF is rgb(244, 245, 255): 244 red, 245 green, and 255 blue on a 0–255 scale.
What is #F4F5FF in CMYK?
Roughly cmyk(4, 4, 0, 0). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #F4F5FF?
PANTONE White is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #F4F5FF?
Its complement #F7F6EC gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.