Close to Pomegranate
#CC4232
#CC4232 is a mid-tone, rich red, close to the color Pomegranate. In RGB it’s made of 80% red, 25.9% green, and 19.6% blue. Its hue is 6°, with 61% saturation and 50% lightness, so it reads as a warm color. White text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #CC4232.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette creator →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette creator →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
4.78:1 AABlack text on this color
4.39:1 AA LargeThis color as text on white
4.78:1 AAThis color as text on black
4.39:1 AA LargeHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #CC4232 as they’d see it.
#CC4232 in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
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Brands with a similar color
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Questions about #CC4232
What color is #CC4232?
#CC4232 is a mid-tone, rich red, close to the color Pomegranate. In RGB it’s made of 80% red, 25.9% green, and 19.6% blue. Its hue is 6°, with 61% saturation and 50% lightness, so it reads as a warm color. White text sits best on top of it.
What is #CC4232 in RGB?
#CC4232 is rgb(204, 66, 50): 204 red, 66 green, and 50 blue on a 0–255 scale.
What is #CC4232 in CMYK?
Roughly cmyk(0, 68, 75, 20). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #CC4232?
PANTONE 7580 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #CC4232?
Its complement #007F8B gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.