Close to Espresso

#4E402C

#4E402C is a dark, muted brown, close to the color Espresso. In RGB it’s made of 30.6% red, 25.1% green, and 17.3% blue. Its hue is 35°, with 28% saturation and 24% lightness, so it reads as a warm color. White text sits best on top of it.

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Color codes

Tints, shades & tones

Tints add white, shades add black, tones add gray. Tap any one to open its page.

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Shades

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Color harmonies

Combinations from the color wheel, built around #4E402C.

Contrast & readability

WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.

Aa

White text on this color

10.03:1 AAA
Aa

Black text on this color

2.09:1 Fail
Aa

This color as text on white

10.03:1 AAA
Aa

This color as text on black

2.09:1 Fail

How it looks with color blindness

About 1 in 12 men and 1 in 200 women see color differently. Here’s #4E402C as they’d see it.

Typical vision#4E402C
ProtanopiaNo red cones (about 1% of men)
DeuteranopiaNo green cones (the most common, about 1% of men)
TritanopiaNo blue cones (rare)
AchromatopsiaNo color vision (very rare)

#4E402C in use

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A headline in this color

Body text stays dark for reading; the color carries buttons, links, and accents.

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Similar colors

Brands with a similar color

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Questions about #4E402C

What color is #4E402C?

#4E402C is a dark, muted brown, close to the color Espresso. In RGB it’s made of 30.6% red, 25.1% green, and 17.3% blue. Its hue is 35°, with 28% saturation and 24% lightness, so it reads as a warm color. White text sits best on top of it.

What is #4E402C in RGB?

#4E402C is rgb(78, 64, 44): 78 red, 64 green, and 44 blue on a 0–255 scale.

What is #4E402C in CMYK?

Roughly cmyk(0, 18, 44, 69). Print results depend on paper and press, so proof it before a big print run.

What Pantone is closest to #4E402C?

PANTONE 448 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.

What color goes with #4E402C?

Its complement #344359 gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.

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