Close to Midnight
#210E2A
#210E2A is a very dark, rich purple, close to the color Midnight. In RGB it’s made of 12.9% red, 5.5% green, and 16.5% blue. Its hue is 281°, with 50% saturation and 11% lightness, so it reads as a cool color. White text sits best on top of it.
Color codes
Tints, shades & tones
Tints add white, shades add black, tones add gray. Tap any one to open its page.
Tints
Shades
Tones
Color harmonies
Combinations from the color wheel, built around #210E2A.
Split complementary
The two neighbors of the complement: contrast that’s easier to balance.
Open in the palette creator →Tetradic
Two complementary pairs: rich, best with one color in charge.
Open in the palette creator →Contrast & readability
WCAG contrast ratios for text. 4.5:1 is the minimum for body text, 3:1 for large text.
White text on this color
18.09:1 AAABlack text on this color
1.16:1 FailThis color as text on white
18.09:1 AAAThis color as text on black
1.16:1 FailHow it looks with color blindness
About 1 in 12 men and 1 in 200 women see color differently. Here’s #210E2A as they’d see it.
#210E2A in use
A headline in this color
Body text stays dark for reading; the color carries buttons, links, and accents.
On a dark background
Get startedSimilar colors
Questions about #210E2A
What color is #210E2A?
#210E2A is a very dark, rich purple, close to the color Midnight. In RGB it’s made of 12.9% red, 5.5% green, and 16.5% blue. Its hue is 281°, with 50% saturation and 11% lightness, so it reads as a cool color. White text sits best on top of it.
What is #210E2A in RGB?
#210E2A is rgb(33, 14, 42): 33 red, 14 green, and 42 blue on a 0–255 scale.
What is #210E2A in CMYK?
Roughly cmyk(21, 67, 0, 84). Print results depend on paper and press, so proof it before a big print run.
What Pantone is closest to #210E2A?
PANTONE 2627 C is the closest match in our list. Screen colors and ink never match perfectly; check a physical Pantone guide.
What color goes with #210E2A?
Its complement #0A1A00 gives the strongest contrast. For something calmer, try its analogous neighbors, or its own tints and shades above.